The ceramics show at Arts Benicia closes on November 19 and features many notable pieces worthy of a trip, for those who will travel over bridges. The center is open Wednesday–Sunday 12 noon – 5pm and the show is called “Bay Area Clay: A Legacy of Social Consciousness.”
The exhibition features well-known local artists and some wonderful work by: Robert Arneson, Stephen De Staebler, Viola Frey, Arthur Gonzalez, Michelle Gregor, Marc Lancet, Mark Messenger, Richard Notkin, Lisa Reinertson, Richard Shaw, Ehren Tool, Monica Van den Dool, Stan Welsh, and Wanxin Zhang.
I’ve always loved the work of Ehren Tool and this show features a wall of his cups on the left wall once inside the gallery. Two of my favorites include one with a quote by environmental campaigner and scientist Dr. Vidana Shiva, and there are several great ones featuring Trump imagery.
I am new to the work of Mark Messenger and loved the large central column by him that anchors the show. All pieces are worthy of spending some slow art time to absorb the rich imagery, appreciate the technical skill and enjoy the beautiful compositions and satisfying ideas on view.
Visit the Arts Benicia website for more information. The center is located at 991 Tyler Street, STE. 114, Benicia CA. and is free but as usual, donations are welcome for this artist run space. Telephone: 707-747-0131, email is firstname.lastname@example.org.
On my way out of The Black Woman Is God exhibit at SOMArts in August, I was delighted to meet artist and access consultant Bill Bruckner. He’d been to a life drawing class nearby and had also visited the show. We got talking and it seemed natural that a studio visit to check out his latest work should follow. I’ve always liked his portraits but he also has some exciting new work that relates to recent eye surgery. We planned to meet soon, share some food and talk life-drawing and approaches to making art.
Sharing works and process
Arriving at Bill’s studio near Balboa Park BART station, I was happily reminded of how important it is for artists to spend time with each other, to touch base, share experiences and swap useful contacts and ideas for future endeavors. Somewhere in there, we talked about the local disability scene and the history of the US, we showed each other our recent work and glimpsed each other’s sketch books. Bill has been drawing and painting versions of the air bubble that was part of his cornea transplant surgery, images that his ophthalmologist has heard about but never really seen or experienced himself.
Other related paintings we discussed were inspired by the “blood moon” of April 2014. Our conversation came soon after the summer eclipse season of 2017, and his images seemed to resonate and pulse with a lightness of space and time that made them more immediate.
I am always drawn to monochrome line work and loved everything black and white that Bill shared with me. He has many beautiful landscapes that remind me of English or European artists and from time to time, he adds to his wonderful series ofportraits of people with disabilities and his 2012 self-portrait remains unfinished. Writer and activist Leroy Moore features Bill’s portrait of him in his new book Black Disability 101.
He has an Open Studio as part of Artspan Week on October 28 and 29. His studio will be open 11am–6pm and is opposite Balboa Park BART in San Francisco at 2377 San Jose Avenue (corner of Niagara). His studio is # 20 and wheelchair accessible but there is a slightly hair-raising slope for wheelchair riders down to the entrance. You will need to zig-zag down an expanse of parking lot before entering the building, and going down a long corridor to his studio.
Big shout out to local artists Sue Fox from Textile Dream Studio andCorbett OToole for all they do. I’ve just completed a wonderful 12 x 12 challenge with Sue, Corbett and 10 other women artists over the last 12 months. We’ve all traveled together and shared our process, our products and ourselves once a month. Their expertise and wisdom are a dynamic force in the world and we are all so grateful to them.
Much of the Farming Series has been made during this process and as the year drew to a close, the work started to become more sculptural. The gate motif is still making its presence felt and I’m more than ready to do some full on, in your face color. The piece in this photo is also within the 12 x 1 2 inch format, and made of 12, 12 inch square pieces of plastic bubble wrap and re-cycled batting, sewn together to make a cushion. The sculpture makes a crunching sound when pressed, and reminds me of the daily endeavor of reducing the amount of plastic in my life.
The small red fabric prayer flags are torn rectangles from an old red silk dress. The white gate motif and black vertical lines were applied with a stencil. Image shows: square white cushion with 8 small red prayer flags sewn to bottom edge. A white gate symbol is stenciled onto a fragment of red silk fabric, placed in the middle of the piece with three vertical black lines and hints of blue and yellow paint around the edges.