On my way out of The Black Woman Is God exhibit at SOMArts in August, I was delighted to meet artist and access consultant Bill Bruckner. He’d been to a life drawing class nearby and had also visited the show. We got talking and it seemed natural that a studio visit to check out his latest work should follow. I’ve always liked his portraits but he also has some exciting new work that relates to recent eye surgery. We planned to meet soon, share some food and talk life-drawing and approaches to making art.
Sharing works and process
Arriving at Bill’s studio near Balboa Park BART station, I was happily reminded of how important it is for artists to spend time with each other, to touch base, share experiences and swap useful contacts and ideas for future endeavors. Somewhere in there, we talked about the local disability scene and the history of the US, we showed each other our recent work and glimpsed each other’s sketch books. Bill has been drawing and painting versions of the air bubble that was part of his cornea transplant surgery, images that his ophthalmologist has heard about but never really seen or experienced himself.
Other related paintings we discussed were inspired by the “blood moon” of April 2014. Our conversation came soon after the summer eclipse season of 2017, and his images seemed to resonate and pulse with a lightness of space and time that made them more immediate.
I am always drawn to monochrome line work and loved everything black and white that Bill shared with me. He has many beautiful landscapes that remind me of English or European artists and from time to time, he adds to his wonderful series of portraits of people with disabilities and his 2012 self-portrait remains unfinished. Writer and activist Leroy Moore features Bill’s portrait of him in his new book Black Disability 101.
He has an Open Studio as part of Artspan Week on October 28 and 29. His studio will be open 11am–6pm and is opposite Balboa Park BART in San Francisco at 2377 San Jose Avenue (corner of Niagara). His studio is # 20 and wheelchair accessible but there is a slightly hair-raising slope for wheelchair riders down to the entrance. You will need to zig-zag down an expanse of parking lot before entering the building, and going down a long corridor to his studio.